For silver ink the process is the same as gold, substituting Silver Leaf for the Gold leaf.
To mark, lay the plate thus cut upon the cloth, and apply ink by means of a brush to the back of the plate, and it will wet the cloth where the cut is made by the writing.
This is the most permanent and beautiful blue ink known.
The ink is made by intimately mixing Linseed Oil one part.
Many photographers employ a rubber stamp for imprinting the backs of mounts, and in these circumstances a good ink is very essential.
There is a fortune in this recipe, as a good markingink is very salable.
This inkwill stand the action of the atmosphere for centuries if required.
Impressions may be taken from the plates formed in this way by means of printing ink and a copperplate press.
A letter written in this ink can only be read in a dark room, when the writing will have the appearance of a fire.
Put up in common ink bottles and retail for 25 cents each.
Wideman communicates a new method of making an invisible ink to Die Natur.
Do not use blue ink; for if any part of your manuscript should chance to get wet, there is a risk of the blue ink being effaced or obliterated by the damp, so as to render the writing illegible; and this has frequently happened.
There is no ink superior to this in blackness or smoothness.
The ink is so secured, that there is no danger of its spilling.
He carved a great many letters of various sizes, and found that with his improved ink he could make clear, distinct impressions, and could print entire pages, with cuts and diagrams and fancy headings.
There were other men called illuminators who ornamented the books with beautiful initials and chapter headings, and sometimes encircled the pages with borders made with ink of different colors.
In order to save himself from being burned as a wizard, Fust was obliged to go before the Parliament of Paris and tell all about his new method of making books, and how he used the red ink for embellishing the borders of the pages.
Reference may also be made here to two pen and ink drawings of heads in profile with figured measurements, of which there is no description in the MS.
Footnote: The little pen andink drawing from Windsor (W.
A study of drapery for the left leg of the same figure, done with the brush, Indian ink on greenish paper, the lights heightened with white.
Tons of unprotected paper have been scrawled upon, perfect rivers of helpless black ink have done the work--and all for that!
His stock of blank forms, alone, would do credit to a wholesale stationery house in a sizable city; for the railroad is a liberal user of printer's ink in its own devices.
They work out their charts and elevations, their detailed plans; and the ink is hardly dry upon their drawings before they are being whisked away to the blueprint rooms.
Thus appealed to, poor Cuddv was obliged to submit, and before he knew where he was, the dread pen, ink and paper were produced, and things began to assume a tangible form.
He wishes, that, in future, all lyrics, but especially drinking songs, should be printed only with ink prepared in this manner.
We have found that a new sort of printer's ink can be prepared from the skins and grounds of grapes.
The inkwas applied to the type by means of a roller which was fed by an inking apparatus.
There is an ink reservoir and a set of inking rollers for each cylinder.
The thoughts flowed more clearly--yes, like ink in a pen.
She said last time that you thought ink and ideas were synonyms.
She dipped her pen in red ink and initialled the foot of the essay.
BRAY'ER, an instrument to grind or spread ink in printing.
He descended to his sister's room and borrowed Maggie's ink and a pen, and took an envelope, tripping like a thief.
For the greater part of his life, he was often occupied with pen and ink quarrels.
The ink employed in this kind of printing, is similar in its composition to other kinds of printing ink.
The ink used in this kind of printing is made of a carbonaceous substance, called Frankfort black, and linseed or nut oil.
I saw the Almanack in a horrid Condition before I left Paris, the Signs of the Zodiack wore like a Blotch, notwithstanding the utmost Care and Diligence the Printer used to take up very little Ink to keep them clean.
The inkwas still applied by dabbing with inking balls of wool-stuffed leather nailed to wooden forms.
But since grays were achieved by the visual synthesis of black ink and white paper, it mattered little whether the engraved lines were black or white so long as the desired tones could be produced.
But with a more sympathetic surface for receiving inkfrom relief blocks, a new avenue for wood engraving was now open.
On the coarse paper of the period fine white lines could not be adapted to relief (typographical) presswork; they would be lost in printing because the ribbed paper received ink unevenly.
