The opening moderato e cantabile is a tone-poem of touching pathos.
Dahn interprets 'moderato ordine,' 'not so absolutely as the Roman clergy desires.
Then the solo violin is heard in a cadenza-like sequence followed by the first theme (Moderato assai).
The Allegro is bright and spirited throughout; the Penseroso grave and tender; and the Moderato quiet and respectable, as might be expected of a person who never experiences the enthusiasms of joy or the comforts of melancholy.
The most of the composition is assigned to solo voices which carry on the discussion, though in the Moderato it is mainly the chorus which urges the sedate compromise between the two.
Opposite in feeling is the descending motive of strings, Moderato con anima (9/8).
The toccata is in two movements--allegro moderato and adagio.
The above list will hopefully give you a few useful examples demonstrating the appropriate usage of "moderato" in a variety of sentences. We hope that you will now be able to make sentences using this word.
