Dolci came, looking as handsome as an angel; my neighbours were ready, and the carriage loaded with the best provisions in food and drink that were obtainable; and we set off, Dolci seated beside the lady and I beside the chevalier.
When we got to Vaucluse I letDolci lead; he had been there a hundred times, and his merit was enhanced in my eyes by the fact that he was a lover of the lover of Laura.
Dolci felt at ease after my explanation, and did his best to arouse the lady, but without success.
Ma dimmi: al tempo de' dolci sospiri, A che, e come concedette amore Che conosceste i dubbiosi desiri?
Lorenzo di Andrea Credi has been called by Morelli the Carlo Dolci of the fifteenth century.
There is no resemblance whatever between the affected sentimentality of Dolci and the sincere pathos of this picture.
Giovanni di Dolci to build the citadel of Civita Vecchia, which Baccio Pontelli finished after Giovanni's death.
Ma dimmi: al tempo de' dolci sospiri A che e come concedette Amore, Che conoscesti i dubbiosi desiri?
Dolci used his pencil chiefly in sacred subjects, and bestowed much labour on his pictures.
Carlo Dolci holds somewhat the same rank in the Florentine that Sassoferrato does in the Roman school.
Dolci was, in fact, from early youth, exceedingly pious; it is said that during passion week every year he painted a half-figure of the Saviour.
When Carlo Dolci was born, the time of great men having passed, no great forces were at work in his native city.
The subject is St. Benedict on a cloud in a blue sky, and Dolci is said to have made studies of it from a picture that was already in possession of another brotherhood.
At Innsbrueck Dolci received another commission of the sort that throws a strong light upon the ethics of the art world of his time.
Carlo Dolci painted, or over-painted, the romance of life.
This suggests that Dolci had found time to study the composition of paint with great care, and that some of the secrets of glazing surfaces had been revealed to him.
His reputation passed from palace to studio, gathering commissions on its travels, and in a very little time young Dolci had all the work he could do.
As may be seen from the canvas, Dolci executed it in 1674 when he was approaching his sixtieth year.
This work, which is the only one by Dolci in the National Gallery, represents the Virgin presenting flowers to the Divine Infant.
His father was a highly respected tailor of Florence, Andrea Dolci by name, his mother a daughter of Pietro Marinari, a painter (says Baldinucci) of repute.
Of course, one only compares Dolci with Tintoretto in point of industry; all the developments that the great Venetian had made, all the truths he had discovered, were either unknown to Dolci or ignored by him.
Looking at the art history of Florence we see that Dolci came very late into the world.
The other was a Magdalen by Carlo Dolci with a very fine head of hair and a marble vase in her hands.
When Theobald had finished reading we all knelt down and the Carlo Dolci and the Sassoferrato looked down upon a sea of upturned backs, as we buried our faces in our chairs.
His madonnas are usually after the Carlo Dolci pattern, though never so excessive in sentiment.
At all events, the hapless Dolci had not lived in vain, for Russia now resumed her good relations with the mountaineers, and she inaugurated them by paying the three thousand sequins.
The above list will hopefully give you a few useful examples demonstrating the appropriate usage of "dolci" in a variety of sentences. We hope that you will now be able to make sentences using this word.
