Nevertheless these costs, continued from year to year, and combined with the damage done by Æginetan privateers, were seriously felt, and contributed to dispose the Athenians to peace.
The old Æginetan antipathy against Athens, when thus again instigated, continued for a considerable time.
But in spite of the utmost vigilance, they suffered an extent of damage from the indefatigable Teleutias, and from the Æginetan privateers, quite sufficient to make them weary of the war.
It is a pity, because the Æginetan pedimental figures were most interesting, furnishing a very good idea of the Æginetan style of sculpture of an early date.
The hardy Æginetan sailors were an important factor in the battle of Salamis, to which they contributed not only men but sacred images; and they were not entirely expelled from their land by the Athenian domination until 431 B.
He goes on to say that after this the Argive and Æginetan women, out of rivalry with the Athenians, wore much larger brooches than before.
The story of the slaying of the sole survivor of the Æginetan expedition, and of the punishment meted out to the Athenian women, seems in itself far-fetched and highly improbable; but there is probably some foundation of truth in it.
The exact period at which the Athenians adopted the Ionic dress is unknown; the Æginetan expedition of 568 B.
And each one of the slaves pays an Æginetan stater[232:1] a head.
Of more than twenty voices only three—Themistocles’s and those of the Æginetan and Megarian admirals—were in favour of abiding the onset.
Here an Æginetan galley dropped behind, yonder a Corinthian navarch suffered his men to back water.
A second Sidonian swept down on them, but grown wise by her consort’s destruction turned aside to lock with an Æginetan galley.
The details and diagrams were few and easy to remember, the Athenian ships here, the Æginetan next, the Corinthian next, and so with the other allies.
Between the rudeness of the Dædalean and the hard and severe style of the Æginetan there was a transitional style, to which period the artists Dipœnus and Scyllis are assigned by Pliny.
The following are the principal characteristics of the Æginetan style, as derived from a careful examination of the statues found in Ægina, which were the undoubted productions of the school of the Æginetan period.
If the work of the Ninevite chisel is compared to that of the Greeks in the archaic period, down to the appearance of the Æginetan school, a surprising affinity will be observed between them.
The above list will hopefully give you a few useful examples demonstrating the appropriate usage of "ginetan" in a variety of sentences. We hope that you will now be able to make sentences using this word.
