Like Leo Délibes and Bizet, Lalo is careful to avoid all that is routinier, seeks new forms without trying to be profound, and is more concerned with musical beauty than with tradition, as are the Germans.
Lalo was obliged to be content with this, and set to work with so much energy that he fell ill, the last scenes of the ballet being orchestrated by Gounod.
For several years Lalo led a modest and retired existence, playing the viola in the quartet party organized by Armingaud and Jacquard, and in composing chamber music.
Lalo had distinct originality, discernible in his employment of curious rhythmic devices.
A no keia hua kena a kana wahine, he mea manawa ole noho ana i lalo nei o Kaonohiokala, a launa no me Laielohelohe.
Kuuia mai la kekahi anuenue i uliliia mai luna mai o ka mahina a hiki i lalo nei, i ka wa e kupono ana ka mahina i luna pono o Honopuuwaiakua.
His chamber music is likewise written with sentient regard for euphonious effects and artistic requirements, but it is conspicuously in the art of orchestration that Lalo displays his individuality to the best advantage.
This mention of Wagnerian influence suggests an interesting comparison between the styles of César Franck and of Lalo (1823).
It is redolent of Meyerbeer and Gounod, and though some of the scenes are not without vigour, it is impossible to avoid feeling that in 'Le Roi d'Ys' Lalo was forcing a graceful and delicate talent into an uncongenial groove.
The above list will hopefully give you a few useful examples demonstrating the appropriate usage of "lalo" in a variety of sentences. We hope that you will now be able to make sentences using this word.
