She has, it is true, polished her interpretations until they seem incredibly perfect, but has there ever been a time when she gave anything but perfect impersonations of Mélisande or Thais?
In the end, Golaud kills the lovers after a striking scene in which, as he stands beneath the window of the room in which Pelléas and Mélisande have secretly met, he is told what is passing within by a child whom he holds in his arms.
At the castle dwells also Pelléas, Golaud's brother, whose growing love for Mélisande is traced through a succession of interviews.
Golaud, the son of King Arkel, wandering in the wood finds the damsel Mélisande sitting by a fountain.
Look, there is mother with Mélisande at a window of the tower.
Mélisande is very young and very impressionable; and she must be treated the more circumspectly that she is perhaps with child at this moment.
In the woods while hunting in a land east of the sun and west of the moon, Golaud, a king's son, comes upon Mélisande sitting disconsolate at the brink of a spring.
In Act III Pelléas and Mélisande sit and converse.
The husband enters, slays his brother, and the curtain falls on Mélisande fleeing, pursued by Golaud, sword in hand.
Not altogether a comprehensible creation, Mélisande piques one at every reading, with her waywardness, her infantile change of moods.
Mélisande is one of the poet's most successful full-length portraits.
He asked the boy what Mélisande and Pelléas talked of when together; asked of their movements.
One expects to hear King Marke's distant, tremulous hunting horns in the forest scene of the fourth act, where Pelléas and Mélisande uncover their secret.
Mélisande and Geneviève are walking together in the gardens, and they are joined by Pelléas.
Mélisande flees in terror, crying out as she goes, "Oh!
Golaud and his little son Yniold, the innocent playfellow of Mélisande and Pelléas, are together.
It is she that the music reveals from the moment Mélisande rises from among the rocks shrouded in the mystery of her golden hair.
But, above all, it was the figure of Mélisande herself that made him pour himself completely into the setting of the play.
The above list will hopefully give you a few useful examples demonstrating the appropriate usage of "lisande" in a variety of sentences. We hope that you will now be able to make sentences using this word.
